Forterra pays its contributors for their work. Editorial costs for this issue of Ampersand were generously covered by our friends at Cloud Ridge Publishing, who believe in our publication. We’re thankful.
Related Perspectives — Ampersand
Ampersand celebrates people and place in the Pacific Northwest. It explores the scientific and the quirky found in our natural and built environments. It highlights the art, ideas and stories that elevate our region.
Ampersand is dedicated to the curious and the creative, to the thinkers and the doers, and to all those who love this maddeningly beautiful place we call home.
A garden grows in Nihonmachi, just off a Jackson Street alley sandwiched between Kaname Izakaya Restaurant and Tiger Tiger Tattoo. Small, simple and sculpted with a wood deck and a wooden slats fence, it represents the resilience of Seattle’s Japanese and Japanese American community.
In the heart of the city, artist-entrepreneur Louie Gong births a first-of-its-kind retail project. As we all know, it’s hard to name what you can’t find at the iconic, bustling, uberly-photogenic Pike Place Market but here you go: Native art made by Native people in a Native-owned store.
One evening, back when he was in high school, Derek Stinson returned to his Massachusetts home with his parents to encounter his younger brother, Jay, waiting for them at the door. “There’s something in the cupboard,” Jay told them, “and it’s not a rat.” When Derek peered into a cupboard containing the family’s breakfast cereal, a pair of big eyes stared back. They belonged to a southern flying squirrel.